KFNNFDY^ PATENT OOTLINER 



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LIBRARY OF CONGRESS. 
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\ UNITED STATES OF AMBStltiA. 



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KENNEDY'S 



PATENT 



OUTLINER, 



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T T 



THE 




IJGienee of Coat and Vest Catting 





CONTRINING 



Notes and Explanations 



OIF 



KENNEDY'S Patent Outliner 



IFOR. 



DRAFTING COATS AND VESTS 



v^ith: 



Diagrams of the Different Garments 

AND OTHER USEFUL INFORMATION 
FOR THE CUTTER 

HEKRY G. KENNEDY 




Published by the Author. 



, n ') 



<t. 




PREFACE. ^ 

' > t C ' 

■pN placing this work before the fraternity I have endeavored to combine simplicity, 
iL accuracy and rapidity with common sense, omitting all superfluous matter and avoid- 
ing mere theories, giving only those principles which have been tested with the most satis- 
factory results by cutters of known ability. 

The Outlincr is the result of fifteen years' constant experiment, during which time it 
has been my constant aim to perfect a system of cutting that would reduce the labor of 
the cutter to a minimum, and at the same time enable him to turn out the most perfect 
fitting garments without the aid of test measures or notes of any kind. 

The diagrams illustrating the practical working of the Outliner have been prepared 
with the view of enabling those cutters who cannot take advantage of personal instructions 
to acquire a thorough knowledge of the System by a few hours study of the work. 

In conclusion, I have to thank those cutters who, during the experimental stage of 
the Outliner, rendered mc much valuable assistance by practically testing each point as it 
was worked out, thus insuring the complete success which has crowned my efforts. Believ- 
ing that this system will prove a boon to the experienced cutter, as well as to the young 
man just starting out, I respectfully submit it to the consideration of the trade. 

H. G. KENNEDY. 




'^^A ■ ^3-^P 



DESCRIPTION 



OF 



Kennedy's Patent Outliner. 



■ > ♦ < « 



THE PRINCIPLE. 

The Outliner is a combination of scales, so arranged as to produce the necessary 
points for any size or style of coat and vest, in from eight to ten seconds. It differs from 
all other systems known to the trade. It fits all forms with equal ease, making the neces- 
sary changes in the draft for the most awkward form without any variation in the work of 
the cutter. In other words, no matter what form of draft is desired, the cutter has not to 
draw on his experience or judgment for its production, but simply to follow the directions 
as given for drafting a proportionate coat. 

The plan of drafting rests wholly on the measures, and the Outliner enables us to so 
apply them that all the points are arrived at without the aid of construction lines, or, as 
the name implies, the points are produced on the outlines of the garment direct. It is not 
necessary to find a square or angle in order to produce the circle of a scye or curve of a 
gorge. Each point is independent, so that should a mistake be made in any point it does 
not affect the others, but will immediately show itself and may be corrected when forming. 



i 



i 



t 




GENIUS AND TASTE. 



■ > 4 C ' 



GENIUS consists in the power of executing. Taste in the power to judge of the appro- 
priateness of symmetry and beauty. The cutter who aims to secure the first place 
in his profession has every iiulucenient to exercise all the genius and taste he possesses. 
In the first place, he should aim to produce a perfect fitting draft. When this is accom- 
plished to his satisfaction, which the Outliner will enable him to do, he will have secured 
a basis on which to work out the ideal of beauty he desires. 

In many instances good taste will not demand an accurate fit, but with a correct 
draft before you, good taste will suggest where to add on or take off so as to improve the 
appearance of your customer by giving style to the garment without endangering its balance. 




i 



^ 



JUDGMENT. 



• :> * C ' 



A good many cutters have a great deal to say about using judgment in drafting, and 
consider that if a rule will draft to fit every form they will have very little use for 
the exercise of this faculty. 

However perfect the science of cutting may be, the cutter will generally have to 
employ all the judgment he possesses. His profession makes it necessary for him to judge 
of the customer's taste, and it is always good policy to comply with his wishes to a degree 
that will rrot prejudice his own reputation. He must judge of the fabric he is to cut in 
order to lessen or enlarge it to insure the correct size, and in numerous other ways he will be 
called upon to use his judgment— notwithstanding the fact that he may have a perfect 
knowledge of the science of cutting. 



^ 




EXERCISE TACT. 



■pT has been said that tact consists in having the skill to adapt our conduct to circum- 
iL stances. It may not be amiss to address a few words on this subject to the younger 
members of the profession. 

The cutter who has had some experience in dealing with the average customer is a 
competent witness as to the unfair criticisms, and sometimes, the aggravating remarks that 
are made about his work. These disparaging remarks excite a natural indignation in the 
mind of every one who has a proper sense of what is due to his self-respect. But instead 
of giving expression to this feeling, our object should be to restrain it, and in a courteous 
way to make the offender understand that he is laboring under a misapprehension as to the 
facts, and that he has made a mistake. To do this, and at the same time to avoid offend- 
ing your customer, will call for the exercise of tact. 

In every community there are certain individuals who have peculiar ideas on the 
subject of style in dress. Occasionally it may be good policy to accept the suggestions 
offered. It will n(Jt often happen that )'ou tiiiist do so, but wlien you must, do it grace- 
fully. As a rule, if you can explain in an agreeable way the difference between his views 
and what you know to be the correct style, your customer will be persuaded to accept your 
opinion, and will learn to respect your superior knowledge concerning your own trade. 

Every man who po.s.sesses good taste desires to be not only well dressed, but also 
according to the prevailing mode. If you will ascertain what is the taste of each customer 
you will know, when necessary, how to modify or change the style for the season, to suit 
him. Do not allow him to leave your store with the impression that he has ordered some- 
thing that he does not altogether like, but if you convince him that it is your aim 
to give him a garment that will please him, well made and carefully finished in the minute 
details, you will accomplish your object, viz.: to make him disposed to recommend you and 
your work to each one of his friends. Thus every garment you send out will be an adver- 
tisement that will bring you new customers. 




t 



IMPORTANCE OF THE PROFESSION. 



I,;F you have a proper conception of the importance of your profession, it will be j-our 
ambition to attain to the perfection which is tlie reward, as well as the result, of careful 
attention to every detail connected with your business, and in the course of a few years 
you will have earned a reputation as a master in your special department of trade that will 
bring you a definite yearly income, in proportion to the numbers and wealth of the com- 
munity in which you are carrying on business. 



♦-*- 



t 




MEASURING. 



' > ♦ < ' 



T 



IIS is the most important part of successful cutting, and too much care cannot be 

taken in this particular. If you do not have the correct measures, how can you 
produce a perfect-fitting garment? 

Because cutters, as a rule, are not careful enough in taking the measures, they 
attribute the blame of a badly-fitting garment to the system, whereas a little care exercised 
in measuring would have produced the most gratifying results. There is no necessitj- to 
take an unreliable* measure. 

Personal instructions are desirable, but not indispensable. 

The explanations given are so complete that you cannot fail to understand them. 




10 



i 




UNNATURAL POSITIONS. 



—■»■<►'- 



T"T is a well known fact that many gentlemen, when about to be measured, assume an 
1 unnatural position. The majority will straighten up and swell out the chest. While, 
as a rule, it would be useless to call the attention of your customer to the fact that he is 
not standing naturally, you may get him to do so by placing your hands in a gentle man- 
ner on his shoulders, preparatory to taking his measure, and diverting his attention from 
the latter fact by a reference to the weather, or some other interesting topic. 




11 




CUTTING. 



q^IlKRK 



are a few rules that should be obser\'eci in cuttintr: 



( I ) Make up your mind to blame no one but yourself for a mis-fit, or an aw kward- 
lookinjr garment. 

(2) Cut every piece the e.\act length for its position. 

(3) Let the cur\e Of one piece fall gracefully into the curve of another, so as not 

to invite the shears of the journeyman. 

(4) Avoid, as much as possible, force work, such as holding on, shrinking, stretch- 

ing, etc. 

(You can fit better without such work, and the garment will keep its easy, graceful 
appearance much longer.) 





-J- J. 




A LAST WORD BEFORE COMMENCING TO DRAFT. 



WOU can confidently trust that the Outliner will fit equally well the long neck and slop- 
ing shoulders, short neck and high shoulders, the crooked back, corpulent or lean 
figure; therefore let me urge _\ou not to de\iate from it for an\- form. 

Depend wholly on your measures and the Oiittiiicr for the fitting of all garments. 

In changing from one method to another, a great man\- cutters are apt to think this 
or that ought not to be so, and change a point here and a point there before giving the new 
method a fair trial. As a consequence, they seldom obtain satisfactor\- results. Now if the 
cutter will be guided by the following instructions, he will find this system to bp all that 
is claimed for it — always remembering that the mere possession of an arithmetic does not 
make one a mathematician. 




13 



♦-*- 



TABLE OF PROPORTIONS FOR MEN'S COATS. 





t/l 

"(5 

31 




Upper 
Shoulder. 


Lower 
Shoulder. 


c 


(/) 

).< 
a 
a 

2X 
2K 


> 


5 ,2 
Z ^ 


Fashionable 
Waist. 


Neck. 


Fullness 

for 
Sleeves. 


35 


36 


24K 


24 K 


l^% 


15M 


17^ 


I4>i 


1^ 


36 


32 


37 


25^2 
26 


25 


31 M 


16 


18 


15 


l>^ 


37 


33'-:' 


38 


2SH 


2^ 


31^4 


i6>^ 


I8>^ 


•5^ 


l>^ 


38 


34 K- 


39^ 


265^ 


2SH 


2H 


32>^ 


17K 


19K 


iSJ^ 


1/2 


39 


3SK 


40K 


27 


26K 
27 


2V2 


IVA 


173^ 

17K 


19K 


15K 


I?i 


40 


37 


41^ 


27'A 


2]i 


34 

34':r 
34 '-^ 


193^ 


16 


IM 


41 


38 >i. 


42 


28 

28>/, 


28 

28 >4 


2 
2 


1 8 

1 8. ',4: 


20 

20 >4 


16^ 
1634 


IK 


42 


40 


43>1' 


2 


43 


41 


44 


29 


29 

29 >^ 


iYa 


35 


18^ 


20>^ 


17 


2 


44 


42 
44 
45 


45 

45,' -• 


29^ 


i^A 


35/2 


i8>^ 


20-% 


1754: 
17X 


2;^ 


45 


3014' 


30 vi 

31 


>>< 


35>^ 


i8>^ 


20 K 


2^ 


46 


46 


30 K 


35?'i 


i8>^ 


21 

21 K 


i7>^ 


2>^ 


47 


46 


47 


31 


31^ 


I7'4 


2% 


48 


47 


48 


31^ 


32 


1 5^ 


36 


i8>^ 


21 J^ 


18 


2% 



14 



TABLE 01tMl*(i^'ORriONS for BOYS' and YOUTHS' COATS. 




Hv TAYLOR. 



if V * 





OJ 

n 
24 


1/) 

"S 


a. 


Upper 
Shoulder. 




c 



't« 
If} 

a 
0. 

a. 
a 


2 - 
= .2 

10. !j 
II 


Fashionable 
Waist. 


bi 
c 
u 
,J 

18 

I8M 

19^4 


«3 
35 

20 

21 


u 


6 


24 


26 


18 


18 

I8X 





13^ 


I0:'4 


7 


25 


25 


2; 

27>^ 


18^ 


H 
i.'X 


II 


8 


2Sl4 


25 


18M 
«9 


i8-T:i 
19 

19'.; 


1 1 Vj 
12 


14'i 

I4>^ 


22 


1 1 ■4' 


9 


26 

26'.;^ 
27^ 


26 


28 J4 


20 J4 


23 


M 'j 


10 


26 
26>2 


29, '-2 


19'^ 


I2-M 

'3 


M,Vx 


23^- 


24 '4 
25'-' 


12 


II 


30 


20 

2oy2 


20 


I5>4 
16 


24 

24-; 


1 2 '4 


12 


28^ 
29^ 


27 

27'A 


31 


20 Jf 
21 




I3yi 


26 1< 

21% 


12'.. 


13 


32 


21 

2I>^ 


14 


i6>^ 
17 


24>-2 

25 
25 


13 


14 


30 


28 

28 ^:, 


33 


21>4 


i^ 


I4>j 


2%% 

29 y^ 
30 


•3'i 


•5 


3' 


34 


22 


22 




15 

i5>^ 


i7>4 


i3^i 


16. 


32 


29 


35 


22^ 

23>^ 
24 


22 J4 

23 Kv 


18 


25>^ 


13K 


17 


33 


29K 


35>^ 


2 


I5-K 


18 


26K 


10% 


14 


i8 


34 


30 


36 


24 


2 


16 


18 


27>4 


31 


14^^ 



15 




Ul'I'KK SllOLI.DEK MkASUKK. 




Lower Suoui.dek Measure. 



16 



i 



.1 




DIRECTIONS FOR MEASURING. 



' I ""AKE measures over the vest, except for overcoats. For the latter, take the measure 
* over the body coat, or add two inches to the shoulder, breast, waist and seat meas- 
ures, if taken over the coat. 

Make a mark one inch below height of collar desired, and also at the hollowest 
part of waist. Measure from point at neck to waist and full Icntjth, say i6, 28. Take upper 
shoulder measure from point at neck around under the arm to same place as shown by 
Figure 2, say 25, and lower shoulder from center of back around arm to center of back, as 
shown by Figure 3, say 25. Mea.sure for sleeve from center of back to elbow and full 
length, or by placing square under the arm and measuring to hand, say ig, 31. Breast 
measure, say 36; waist, 32; seat, ^6%. 

Sack coat measure as taken above: — 

yA \% 16 28 25 25 19 31 36 32 36>^; Vest: 13 25 

As put down for drafting: — Vest, 






16 
28 



12^ 



19 

3' 



iS 
16 



13 

25 



2% suppression. 
In cases where the cutter has not taken a shoulder measure the latter can be 
obtained for a proportionate form by dividing the breast measure by 3 and adding in Vj 
inch, thus: 3 | 36 



i2X'A=\2y2 




17 






t t 



TO TAKE SUPPRESSION MEASURE. 



r^LACE straight edge up center of back. Measure in at neck to shirt collar; also at 
* hollowest part of waist. To apply this to drafting, add both measures together and 
divide by 2. Thus, 3^^ inches in at neck and I '4 'n at waist would make 4^, divided by 
2 would be 2.'H- This would be the amount of suppression as taken out between back and 
sidebody in skirt coats, or between back and side seam nine inches below waist measure 
on sacks. 

In cases where the cutter has to work on old measures, using the long balance from 
neck point to natural waist, the same result may be obtained by adding two inches to the 
balance measure and subtracting from the amount obtained by measuring pattern from top 
of back through shoulder point to natural waist, or where no balance measure has been 
taken, by referring to proportion scales for suppression. 



19 



c3^ RsitioH 



/5i PcUiop, 




, I I IJ I I I I I I I I I !■) ^ 

2^ Po^itiun 



TllKKE rosITIOiNS Ol'' OUTI.IMCK. 



20 



T 



t 

-■*- 



T 




TO USE THE OUTLINER. 



Always Draft bv one-hali- of Lower Shoulder Measure. 
TO FIND SHOULDER GORGE AND SCVE POINTS OF ANY COAT OR VEST. 

Commence by placing Oiitliner on back line, as shown in first position. 

Square across top and mark points A. B. C, using lower shoulder measure, say 13. 
Mark point at D. and draw line to corner, N. 

2d. Place O corner of Outliner on D. point. Square by line D. N. Mark points E. 
V. and G., lower shoulder 13. Mark point at H. and draw line to P. 

3d. Place * corner of Outliner on point H. Square by line H. P. Mark points I. 
and J., lower shoulder measure, 13. 

Now draw line from point L through B., and from A. to C, and make line L H. 
same width as from A. to C. Round up shoulder one-half inch. Form gorge L through J. 
Form scyc as shown, from C. through E. F. and G. to B. Hollow shoulder seam of back 
slightly. 

Now to complete draft, refer to directions for style of coat desired. 




21 



t 



MORNING COATS. 



3 


1/ 


•3 


19" 


i8?4 


nVz 


I 


19 


•3 


32 


16H 


26 



Find shoulder scye and gorge points as directed on page 21. 

1 to 2 is '.. inch always. 

2 to 3 is natural waist, 4 is fashionable and 5 is full length and j< inch. 

6 is zYi, from 3, or to taste. 

7 is suppression measure from 6 (see directions for getting suppression). 

8 is width of sidebody to taste, say 4>i. 

9 is ^ inch for each inch difference between breast and waist. 

10 is y^ waist and 2,'/( inches as applied from 3 to 6, 7, to 8 and g to 10. 

11 is \\i inches from 10. 

12 is I '/2 inches below D. 

13 is breast measure and 2 inches from 12. 

14 is I '4 inches from 13. 
Draw lines 10. 13 and 11, 14. 

Form shoulders, scye, gorge ami sideseams of back and sidebody. 

15 is found by sweeping from dot opposite 4 by top of sidebody. 

16 is got by sweeping from 15 by 22, which is \'i/x back of shoulder point. 

Place corner of square on 15, long arm on 16. Mark up 5 8 at bottom of under arm, 
cut as to star, going down on short arm 9 inches. Mark out ja, as from 17 to 18; round 
out jj inch for skirt. 

Draw line from 15 to star and to 16. Round up top of skirt as shown. 

15 to 20 is !> inch longer than 4 to 5. 

16 to 21 is >< inch shorter than 15 to 20. 
19 is l>4 in from one. 

Get back skirt spring by placing straight edge on 19, running through 4 to 5. Run 
sideseam from 6 parallel with 4 and 5. 



•2.3 




SACK COATS. 






i6 

28 






19 



18 
16 
18^ 



Vest, 

25 



Find shoulder scye and gorge points as directed on page 21. 

I to 2 is J^ inch always; 3 is natural waist from 2; 4 is full length and ^ inch. 

5 is J^ inch from 3. 

6 is yi breast measure from 5. 
Square down to 7. 

Form back. 

8 is 9 inches down from 6. 

Apply suppression measure from 8 to 9. 

10 is seat measure and 3 inches from 8 and 9. 

II is breast and 2 inches from center of back. 
Draw line 10, 11. 

13 is J<j waist and 2 '4^ inches from 5, 6 and 12. 
Form side seam as shown. 

If under arm cut is used, close top of sidebody and back. 
Sweep from 15 to 16 by shoulder point. 
Draw line from 15 to where sweep crosses at 16. 

Add 1^4 inches for Single, as shown by dotted lines, and from 2>4 to 3 inches for 
Double Breasted, taking out V at J. 

For Box coats, straighten side seam to taste. 




35 



FROCK COATS. 



Draft the same as for Morning Coat, adding on ^4 inch to breast line, rounding up 
through 5 to gorge point. 

To get front spring of skirt, go up from where sweep crosses front line '/< inch, as 
at 3, and back 5 inches, as from 3 to 4. 

Place square with corner touching edge of lapel, and short arm extending though 3 
and 4, as shown by dotted lines. 

F"orm top of skirt as shown. 

For lapel, sweep from gorge point to 7 by 5. 

I to 2 is ajii'; 5 to 6 is 2>.;; 7 to 8 is 2%. 




DRESS COATS. 



Draft the same as for Morning Coat. 
X is yi breast measure from back line. 
6 is 6 inches from spring line. 

Draw line from 5 to 6 and round out as shown, from X. Drop ^ inch to 3. 
2 is ^ inch back from front line. Rt)und out from 2, ^/i inch between l and 4 to 
nothing at gorge. 

Make strap of skirt 1^4 inches wide and form as shown. 




29 



t 



t 




30 



— ;*- 



t 




SLEEVE FOR i8 SCYE. 



Square from A to O, and from O to K. 
O to A is I ^ inches always. 
Mark size of scye on K=i8, 
Square across from K to B. 
O to B is >^ of scye^g. 
Place N on B and square down. 
Mark size of scye on L 18. 
Draw line from O to L. 
N is where line crosses K B. 

Sweep from O to B by N for top of sleeve (see dotted line), and form as shown, 
going in y^ inch from O. 

Apply width of back to O; find length to elbow at P, and full length and >4 inch to 2. 

Sweep by half way between N and K, from 2 to R, for bottom of sleeve. 

R, S is size of cuff. 

Form as shown, going out y, inch at P. 





COLLARS. 



DIAGRAM I. 

Draw the crease line for lapel from '4 inch in advance of the shoulder point to end 
of roll, as from * to 2. 

Draw the crease line for collar from point I through the dot, which is '/{ inch back 
of the shoulder point. The stand is ij^t inch and the leaf i'/£. 

All collars are drafted in the same way. 

DIAGRAM 2. 

For fat men with short necks, draft the collar as follows: 
Crease line for lapel is from * to 2. 
Crease line for collar is curved from 1 through the dot. 
Make the stand -Ji inch and curve as represented. 

DIAGRAM 3. 

For Double Breasted Frocks, draw crease line of lapel from the * to end of 
roll, as to 2. 

Draw crease line of collar from point i through the dot. 

To obtain the end of roll, place lapel even with forepart opposite the hole to which 
it is desired it should turn, as represented. 

DIAGRAM 4. 

To get the right angle for end of collar, place the lapel in a closing position, with 
forepart at end of gorge, and shape end of collar to overlap it '4 inch. 



33 



TO DKAIT VEST FROM COAT PATTERN. 



1 is Yz inch in from waist point. 

2 is Vi waist measure and i inch from i. 

3 is J4 inch over breast line. 

4 is >^ waist and l inch from 3. 
• Dot is open and i inch. 

5 is full length and i inch. 

Sweep from 5 to 6 by 7. 6 to 8 is swept by g. 

Form as shown by dotted lines, dropping '4 inch from top of back, and taking ^ 
inch off width of shoulder and enlarging scye. 

To find open and full length, measure top of back and apply on shoulder point, 
adding i inch to measures for make up. 



^m 



36 



.1 




TO DRAFT SEPARATE VEST. 



Find shoulder gorge and scye points as for a coat. 
Top of back to i is natural waist. 

1 to 2 is '4 waist and i inch. 

2 to 3 is suppression measure and ,'4 inch for each inch difference between breast 
and waist. 

3 to 4 is ^ waist and i inch. 

5 to 6 is y2 breast measure and 2]i inches. 
Draw line from 6 through 4. 

Apply open and full length measures to shoulder point, adding i inch. Sweep bottom 
from gorge point. Narrow shoulder straps Yx and enlarge scye y,. 
Form side seams and hollow back as shown on plate. 




t 



T 




i 



38 



t 




FAT MAN'S COAT. 



Begin by drafting as for an ordinary Sack, only go in the suppression at the waist, 
applying waist measure from that and running spring line parallel with back line. 

Sweep from i by i-% back of shoulder point. 

Where sweep crosses breast line, apply corner of square on 2, letting long arm touch 
I. Mark down as to 3. 

Measure the distance from 3 to front line. 

Now cut forepart through from 4 to 5, 6 and 7, and lap from nothing at 6 to dotted 
lines at 7 the amount of distance from 3 to breast line. 

Form front as shown by dotted lines. 

5 to 6 is where the pocket goes in. 

This will be found to throw a fullness where it is wanted without having to shrink 
the edges, and it also does away with the surplus draperj- in skirt. 




39 



i 




TO DRAFT A CAPE. 



I inch 



Find full length from top of back to 2. Square across to 5. Round up from 3 to 6 



3 to 4 is 4>i inches. 

Form from 6 to top of back. 

7 to 8 is 414 inches. 

Measure length of side scam of back and apply from . , to 9 and ,0 t6 8 

Sweep from 8 by ... which is . inch back of shoulder point, and form as shown. 




41 



T 







"^ J* V ^ DISPROPORTION. 



SHORT NECK AND HIGH SHOULDERS. 
As in tlic la.st, the onl)- difference occurs in the shoulder and gorge points. 

EXAMPLE. 

Lower shoulder, 13; upper, I2>^ 

Mark both sizes on Scale L or shoulder point. Whatever the distance between the 
two measures, droj) that amount below the I2>j or upper shoulder measure. This has the 
effect of dropping the point down and back, as shown by solid lines on plate. The gorge 
point also drops down a corresponding amount, and the top of back does the same. 



43 
i 




DISPROPORTION. 



LONG NECK AND SLOl'ING SHOULDERS. 

When there is a difference between the upper and lower shoulder measures, the onlj' 
difference in drafting occurs in the shoulder and gorge points. 

EXAMPLE. 

If the upper is 13'.. and the lower 13, mark both sizes on Scale I, and then, what- 
ever the distance between 13 and 13V2. raise the same amount over l^'/, and form shoulder 
from that point, as shown by solid lines on plate. Also raise the gorge and toj) of back 
a corresponding amount. 




•).". 



i 



-:*■ 



+.- 



t . I 

ALTERATIONS. 



— s^j- 

A FF.W REMARKS TO YOUNG CUTTERS. 



If the back scnvt of a coat appears s/iort, thus causing wrinkles from top of sidcbod)- to 
front of hips and an inclination to kick off behind, the necessary alteration is to drop the 
sideseam of forepart until wrinkles disappear. This will necessitate the shortening of forepart 
from sideseam to nothing at edge at bottom, and also tiie taking off shoulder seam of back 
from nothing at shoulder point whatever amount the back has passed up at top of sidebody. 
This latter will do away with the surplus cloth at back of scye caused by the dropping of 
sideseam. This same alteration may be effected by shortening shoulder-strap from nothing 
at back scye, but will necessitate the taking off from edge from nothing at breast to Ijottoni, 
and the deepening of gorge, which in the case of a finished coat is not practicable. 



If a coat appears too long in back, and has a tendency to crowd up on neck and appear 
full between shoulders, throwing wrinkles from front of scye to waist point of back, the 
neccssar)- alteration is to pass the back down at sideseam, cutting off the amount at bottom 
of back and at the top 'of sidebody of forepart. The same effect can be arrived at by 
lengthening shoulder-strap, but it entails so many other changes that it is a serious alter- 
ation, particularly as the effect is the reverse from the short back; that is, it will fall off 
at front, necessitating the taking off of spring and adding to forepart from bottom to nothing 
at breast, which in the case of a made-up coat would be an impossible alteration. 



If a coat falls off at tcaist and breaks ill front of scye, alter by passing shoulder point 
back, .shortening the strap until coat lifts into place at waist. This will also ease scye. 
Cut off width of shoulder the amount it pas.ses out at back scye and put in a piece at 
gorge, unless there has been an inlay left, in which case it can be let out until it reaches 
top of back at shoulder point. Al.so deepen the gorge as much as necessary. This is 
equivalent to taking off from blade down through the sideseam and adding on to front 
from waist to nothing at breast point, or to straightening shoulder on draft by moving 
shoulder point forward and down and deepening gorge. 



If a coat breaks f-om shoulder point to scye, but is all right in the balance, the collar 
may be on too short, but if not, rip out shoulder seam and let the strap pass out at back 
scye until breaks disappear, and put in piece at gorge. The trouble is the shoulder has 
been cut too crooked, but short enough in strap to hold the coat in at waist. 



If a coat throzvs a bidge at bottom of front scye, but is otherwise all right, fip out shoulder 
and pass forward on back, taking off at gorge point and letting out strap at scye until it 
becomes same width as back. The coat has been cut too straight in shoulder, but long 
enough in strap to balance. 

If a coat catches from front of scye to seat, h\x\i is otherwise all right, it requires more 
spring, or the same may be caused b>- too tight a scye. 

4G 






% 



INDEX. 



TO TEXT. 

Preface, ....... 

Description of the Outliner, 

Genius and Taste, ...... 

Judgment, ...... 

Tact, ....... 

Importance of tiie Profession, 

Measuring, ...... 

Unnatural Positions, ..... 

Cutting, , 

A Last Word, 

Proportion Measures for Men's Coats, 

Proportion Measures for Boys' and Youths' Coats, 

Directions for Measuring, .... 

Suppression Measure, .... 

To use the Outliner, ..... 

Morning Coats— to draft, .... 

Sack " " " . • C * t 

P>ock 

Dress 

Sleeve 

Collars 

Vest from Coat 

Vest separate 

Fat Man's Coat 

Cape 

Disproportion, 

Alterations, 









-J^ ft 



Hagc. 
4 

5 

6 

7 
8 

9 

10 

1 1 

12 
13 

M 

15 
17 
19 

21 

23 

■ 25 

27 

• 29 
31 

• 33 
35 

• 37 
39 
41 

43-45 
. 46 



TO ILLUSTRATIONS. 



Shoulder Measures, 

Suppression Measures, 

The Outliner, 

Morning Coats, 

Sack Coats, 

Frock Coats, 

Dress Coats, 

Sleeve, 

Collars, 

Vest with Coat, 

Vest separate. 

Fat Man's Coat, 

Cape, 

Disproportion, 



16 

18 

20 
22 

24 

. 26 

28 

• 30 

32 

■ 34 
36 

■ 38 
40 

42-44 



.> x^ 



PCTTiaONC. WCLtS & CO. 

PR I NTERS, 

CHICACO. 



48 

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LIBRftRY OF CONGRESS 

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